The following is a spoiler-free review of episode 6 of Secret Invasion, ‘Home’, streaming now on Disney+.
After a string of disappointing episodes, the finale of Secret Invasion delivers a satisfying conclusion. The episode moves away from its Cold War cinema aspirations and embraces the conventions of comic books, resulting in a more emotional and thrilling experience. The highlight of the episode is the long-awaited showdown between Nick Fury and Gravik. Although it doesn’t add further complexity to the Skrull General’s character, Kingsley Ben-Adir’s villainous monologue allows him to showcase his character’s burning rage and convey the hurt and betrayal that motivates the Skrulls’ invasion. Samuel L. Jackson’s portrayal of Fury also shines as he reflects on his failure to fulfill his promise to the Skrulls, revealing a deeper, more vulnerable side of the character. However, subsequent plot developments slightly diminish the impact of this moment, but it still carries genuine emotion.
The episode’s thematic beats effectively conclude the refugee plotline of Secret Invasion. It explores how the words of leaders can incite xenophobic violence and emphasizes the hidden struggles of the Skrulls, aligning with Marvel’s theme of responsibility and power. Despite the consequences of the story likely not affecting the wider MCU, it adds depth to the narrative. The episode briefly touches on code-switching and interracial (or inter-species) relationships, lending additional weight to the interpersonal aspects of Fury’s story.
The Finale’s Visual Showstopper
The visual showstopper of the finale takes inspiration from traditional comic books. While the series initially drew from espionage films, this final battle shifts towards a more bombastic super-powered spectacle. Although it may not be Marvel’s most impressive action sequence and feels a bit brief, it offers an enjoyably imaginative concept.
Secret Invasion Character Posters
Despite its strong conclusion, Secret Invasion still stumbles in certain areas, with no time to rectify its mistakes. Emilia Clarke’s character G’iah receives more plot development, but it lacks authentic emotion, failing to explore her connections to Talos and Gravik in depth. Consequently, the conclusion of her story feels mechanically driven rather than rooted in personal connections. This also results in Talos not receiving a satisfying farewell, despite Ben Mendelsohn’s dedicated performance. Additionally, Sonya Falsworth, one of the show’s best original characters portrayed by Olivia Colman, is underutilized in the finale. Although she has an important role, her signature psychopathic comedic edge that complements the show’s darker tone is absent. While the dramatic final episode doesn’t require humor, a few last-minute barbs from Colman would have been welcome.