This review is based on a screening at the 2024 Sundance Film Festival. A Different Man will be released by A24 sometime this year.

A Different Man is a multi-faceted film that blends psychological thriller and satire to deliver a darkly funny examination of society’s obsession with physical beauty and the emotions of envy and exploitation. Writer/director Aaron Schimberg has crafted a thought-provoking yet twisted film, with powerful performances by Sebastian Stan and Adam Pearson.

The film follows Edward, an aspiring actor with facial deformities, portrayed by Stan. The slow start of the film introduces Edward’s isolated and lonely life, emphasizing his lack of concern for his own well-being. Stan’s immersive performance sets the tone for the film, capturing the essence of Edward’s struggles with his condition.

Through an experimental trial, Edward undergoes a transformation, shedding the tumors on his face to achieve a conventionally handsome appearance, portrayed by Stan himself. However, it’s Edward’s encounter with Oswald, portrayed by Adam Pearson, that brings the film’s themes to the forefront.

Oswald exhibits a contrasting perspective, as he exudes charm and confidence despite sharing Edward’s previous facial disfigurement. Pearson’s portrayal of Oswald is captivating, portraying a character who seemingly navigates through life unfazed by his condition, evoking both envy and admiration from Edward.

The dynamic between Edward and Oswald delves into complex moral and ethical dilemmas, spearheaded by Renate Reinsve’s character, Ingrid. The film’s script weaves an unpredictable path, culminating in a compelling yet ambiguous final act that challenges viewers’ perceptions.

A Different Man deliberately avoids providing clear resolutions, leaving audiences to grapple with their emotions towards Edward’s journey. The film’s smart writing and Stan’s powerful performance create an enigmatic portrayal, blurring the lines between pity and fear, ultimately delivering an impactful cinematic experience.