Reproductive Horror Takes Flight in the German Alps
Reproductive horror is carving out its niche once again in the world of cinema, with films like Immaculate and The First Omen reviving the subgenre’s chilling themes. One recent addition to this trend is Cuckoo, a film by German director Tilman Singer that expertly navigates the line between absurdity and terror.
Cuckoo follows the story of Gretchen, played by the talented Hunter Schafer, as she finds herself in a precarious situation living with her father, his second wife, and stepsister in a remote part of the German Alps. As she uncovers dark secrets lurking in the wilderness nearby, the film delves into the eerie and unsettling.
A Delightfully Creepy Blend of Horror and Humor
Singer, known for his previous work on the gory horror film Luz, brings his signature style to Cuckoo, creating a movie that is both grotesque and whimsical. The film’s retro vibe, coupled with modern touches like iPhone references, adds to its unique charm.
With shades of The Shining and A Cure for Wellness, Cuckoo masterfully builds tension and atmosphere, drawing viewers into its twisted narrative. The film’s 35mm cinematography enhances the visual experience, evoking a sense of dread and isolation reminiscent of classic horror tales.
The Twisted Tale Unfolds
Cuckoo’s narrative takes unexpected turns, weaving together themes of time loops, trauma, and dark humor. While some sequences may linger longer than necessary, the film’s core exploration of familial bonds and resilience shines through.
Lead actress Hunter Schafer delivers a standout performance, capturing the essence of her character with depth and nuance. Her dynamic with co-star Dan Stevens adds layers to the story, creating a captivating on-screen duo.