Scott Pilgrim Takes Off Review


The Spirit of Scott Pilgrim Takes Off

The new Netflix series Scott Pilgrim Takes Off captures the essence of the original story while still deviating from its source material. The show manages to evoke the feeling of a first kiss, the excitement of discovering a new favorite song, and the anxiety of running into an ex-partner. There’s an underlying sense of exploration in the series, as it delves into why the original comic and its characters resonated with audiences. Creator Bryan Lee O’Malley’s personal investment in the project prevents it from becoming self-indulgent. The incorporation of vintage games, music, and Canadian references adds depth to the eight episodes, creating a sense that revisiting Scott Pilgrim is almost therapeutic.

If you’re a Scott Pilgrim fan, Takes Off deserves to be watched as soon as possible. This animated series is a reinvented take on the beloved graphic novels, offering a fresh evolution of the saga that has previously been adapted into a live-action movie and a beat-’em-up game. The fearlessness with which O’Malley and his team remixes his signature creation is truly astonishing.

The series follows the story of 23-year-old Torontonian Scott Pilgrim, who finds himself drawn to American expat Ramona Flowers. Their relationship and interactions with friends are portrayed with a playful and whimsical style, capturing their journey of self-discovery and growth.

Image of Scott Pilgrim Takes Off Gallery

With an expanded format for the TV series, the characters and the League of Evil Exes take on new dimensions, providing deeper insights into their personalities. The focus on Ramona’s journey and her transformation adds an intriguing layer to the story.

The animation of Scott Pilgrim Takes Off breaks free of the limitations of live-action, offering vibrant and visually stimulating fight and musical sequences. The cast embraces their roles, elevating the characters into genuine cartoons and adding new dimensions to their performances. The series ultimately conveys that the past is something to be accepted, not defeated.